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Linval Thompson - Don't Cut Off Your Dreadlocks flac

  • Interprète: Linval Thompson
  • Titre: Don't Cut Off Your Dreadlocks
  • Taille FLAC: 2532 mb
  • Pays: UK
  • Date de publication: 1976
  • Style: Reggae, Roots Reggae
  • # Catalogue: TWLP 010
  • Label: Third World
  • Classement: 4.5 of 5
  • Genre: Reggae
Linval Thompson - Don't Cut Off Your Dreadlocks flac


1Jah Jah The Conqueror
2No Escape
3Cool Down Your Temper
4Ride On Natty Dread
5Jezebel Woman
6Long Long Dreadlocks
7Don't Trouble Trouble
8Money Money
9Blood Gonna Run
10Natty Dread Girl
11Don't Cut Off Your Dread Locks
12Black Princess Lady


  • Mixed ByKing Tubby
  • ProducerBunny Lee


Don't Cut Off Your Dreadlocks - Linval Thompson. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Don't Cut off Your Dreadlocks - Linval Thompson. Don't Trouble Trouble Cool Down Your Temper Black Princess Lady Jezebel Woman Blood Gonna Run Money Money Don't Cut Off Your Dreadlocks Jah Jah The Conqueror Long Long Dreadlocks Ride On Natty Dread No Escape. Linval Thompson - Don't Cut Off Your. Альбом 1976 Песен: 47. Songs in album Linval Thompson - Don't Cut Off Your Dreadlocks 1976. Linval Thompson - Don't Trouble Trouble. Linval Thompson - Cool Down Your Temper. Linval Thompson - Black Princess Lady. Linval Thompson - Jezebel Woman. Linval Thompson - Blood Gonna Run. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Linval Thompson is a reggae and dub artist and producer. He started life writing his own music and was recognised to have great talent not only with songwriting but also singing. He worked at Lee Scratch Perry's Thompson -Ride On Natty Dreadlocks. Linval Thompson -Don't Trouble Trouble. Linval Thompson -Don't Try to Lose Me . You'll Lose a Good Thing. Linval Thompson gets a massive retrospective courtesy of Trojan with Don't Cut Off Your Dreadlocks, collecting 47 tracks from his strongest years as a writer and vocalist, 1975 to 1981. It also gives a window into Linval's early production work that started in 1978 and would eclipse his singing in the '80s, making him one of the most successful producers of the dawning dancehall era. In fact, all but 11 of the tracks here bear Thompson's mark as both producer and singer, with the cuts prior to 1978 being helmed by his mentor, Bunny Lee

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