» » Paul Desmond Featuring Jim Hall - Bossa Antigua

Paul Desmond Featuring Jim Hall - Bossa Antigua flac

  • Interprète: Paul Desmond Featuring Jim Hall
  • Titre: Bossa Antigua
  • Taille FLAC: 1603 mb
  • Pays: Japan
  • Date de publication: 1989
  • Style: Bossa Nova, Cool Jazz
  • # Catalogue: R25J-1045
  • Label: RCA
  • Classement: 4.9 of 5
  • Genre: Jazz
Paul Desmond Featuring Jim Hall - Bossa Antigua flac

Tracklist

1The Girl From East 9th Street5:58
2Curação Doloroso4:26
3The Night Has A Thousand Eyes4:41
4A Ship Without A Sail6:15
5O Gato4:23
6Bossa Antigua4:30
7Samba Cantina5:29
8Aliança4:29

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
LSP-3320Paul Desmond Featuring Jim Hall Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album)RCA VictorLSP-3320US1965
BVCJ-37219Paul Desmond Featuring Jim Hall Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(CD, Album, RE, RM, Pap)RCABVCJ-37219Japan2001
NL-43094Paul Desmond Featuring Jim Hall Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album, Ort)RCA International (Camden)NL-43094Netherlands1979
PG-26, JNL1-8388Paul Desmond Featuring Jim Hall Paul Desmond Featuring Jim Hall - Bossa Antigua ‎(LP, Album, RE)RCA Records, RCA RecordsPG-26, JNL1-8388Japan1976
LPM-3320Paul Desmond Bossa Antigua ‎(LP, Album, Mono)RCA VictorLPM-3320US1965

Crédits

  • Alto Saxophone, Liner NotesPaul Desmond
  • BassGene Wright
  • DrumsConnie Kay
  • EngineerBob Simpson, Ray Hall
  • GuitarJim Hall
  • ProducerGeorge Avakian

Remarques

Original Album Notes, written by Paul Desmond:

It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. Marquand of the alto, and again playing hookey from the mother lode with the same group of sturdy compatriots that made TAKE TEN such a joy to record. On bass is the jovial presence of Eugene Wright, without whom the entire Brubeck operation would grind to a halt in a matter of hours. On drums, the master time-keeper of the Modern Jazz Quartet, Connie Kay -- who, if he didn't exist, would be much too perfect ever to be imagined by anyone. And on guitar, the redoubtable (that means the first time you hear it you don't believe it, and when you hear it again later you still don't believe it) Jim Hall.

The term bossa antigua (it means, or at least it should, "old thing," as opposed to "new thing") began as a slightly rueful play on words because by the time I got around to doing a few bossa nova tunes on TAKE TEN it was several years after the first flash from Brazil and couldn't properly be called a new thing any more. This album carries the term a step further, in that the rhythm on several tracks is a sort of skeletal bossa nova with various old-timey flavors added. ALIANCA, for instance, has Jim Hall functioning as the only accredited Brazilian delegate, accompanied by routinely impeccable Connie Kay shtick and a nice comfortable New York 2 from Eugene Wright. A SHIP WITHOUT A SAIL and THE NIGHT HAS A THOUSAND EYES contain other variations, ranging from Early Calumet City Strip to a subliminal fraelich. (If any of you feel creative out there, you could get together some rainy night and figure out an Old Thing dance to go along.)

The tunes, except for SHIP and NIGHT, are mostly originals. O GATO was written by Jim Hall's friend Jane Herbert, and it's as charming as she is, which is saying a lot. The others are tunes I wrote. One is based on a minor adaptation of a melody indigenous to early American coffee houses, a few are extensions of themes that have been wandering through my head recently, and the one called CURACAO DOLOROSO is a sort of three-stage operation. Originally I'd wanted to do HEARTACHES, because it seemed so incongruous and because the original record of it had something of the same neolithic connection to bossa nova as early marching bands had to Gerry Mulligan. I wrote a different set of changes for it and we tried it, and it was so horrible that George Avakian emerged from the control room in the middle of the first take, waving his arms and shuddering. (This is a musical milestone of sorts, since George usually smiles serenely thru the most disastrous takes imaginable, hoping that something good will somehow happen and he'll be able to splice it in later. I think the only other time he walked out in the middle of a take, the studio was on fire.) So on a later date we used the chords and avoided the melody, which is what you're supposed to do in jazz anyhow, come to think of it, and it worked out nicely. (Since it's a different melody and a different set of chords, the writers of HEARTACHES won't be around looking for royalties -- but if they ever feel like dropping by for a drink, I'm usually home between 4 and 6.)

As always, George Avakian masterminded the entire operation effortlessly, even with a telephone more or less permanently installed in one ear. (There was one point, I must admit, when the only way I could get his attention was to go out to the phone booth and call him.) I don't know how the phone calls worked out, but I love the album

Entreprises

  • Manufactured By – BMG Victor Inc.

Video

Album

Bossa Antigua - Jim Hall, Paul Desmond Quartet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Bossa Antigua - The Paul Desmond Quartet, Jim Hall. Bossa Antigua is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label. The album title is a kind of pun: Bossa Antigua old thing in contrast to the popular musical genre Bossa Nova the new thing. However Antigua is a proper pronoun, naming the island that is paired with Barbuda. The word for old is antigo in Portuguese, a cognate maybe of Antigua. Recorded in NYC, Paul Desmond - alto sax Jim Hall - guitar Connie Kay - drums Gene Wright - bass music by Paul Desmond from the album Hall , Paul Desmond. Songs in album Bossa Antigua 1965. Jim Hall ft. Paul Desmond - Bossa Antigua. Paul Desmond - The Nights Has A Thousand Eyes. Paul Desmond - O Gato. Paul Desmond - Samba Cantina. Paul Desmond - Curacao Doloroso. Paul Desmond - Ship Without A Sail. Original Album Notes, written by Paul Desmond: It's me, Paul Desmond, rapidly aging sax player with the Brubeck Quartet, sometimes called the John P. Marquand of the alto, and again playing hookey from the mother lode with the same group of sturdy compatriots that made TAKE TEN such a joy to record. On bass is the jovial presence of Eugene Wright, without whom the entire Brubeck operation would grind to a halt in a matter of hours. The tunes, except for SHIP and NIGHT, are mostly originals. O GATO was written by Jim Hall's friend Jane Herbert, and it's as charming as she is, which is saying a lot. The others are tunes I wrote. Скачать песню The Paul Desmond Quartet, Jim Hall Bossa Antigua на телефон рингтон на звонок, либо слушать mp3 в хорошем качестве 320 kbps вы можете на free to Paul Desmond Bossa Antigua feat. Jim Hall, The Night Has a Thousand Eyes and more. 11 tracks . Only that set includes the initial studio collaboration of Desmond & Hall for Warner Bros. also present are reprints of Doug Ramsey's warm memorial tribute to the alto saxophonist, as well as Marian McPartland's brilliant portrait written for Downbeat in 1960 and Desmond's own side-splitting article. Jim Hall is a cool jazz music album recording by PAUL DESMOND released in 1965 on CD, LPVinyl andor cassette. This page includes PAUL DESMOND Bossa Antigua feat. A1 Bossa Antigua 4:30 A2 The Night Has a Thousand Eyes 4:41 A3 O Gato 4:23 A4 Samba Cantina 5:29 B1 Curacao Doloroso 4:26 B2 A Ship Without a Sail 6:08 B3 Alianca 4:26 B4 The Girl From East 9th St. 1999 reissue bonus tracks: 9. The Night Has a Thousand Eyes Alternate Take 10


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