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The Offspring - Smash flac

  • Interprète: The Offspring
  • Titre: Smash
  • Taille FLAC: 1508 mb
  • Pays: Russia
  • Date de publication: 1994
  • Style: Alternative Rock, Punk
  • # Catalogue: WR-106
  • Label: Williams Records
  • Classement: 4.4 of 5
  • Genre: Rock
The Offspring - Smash flac


1So Alone3:21
2Come Out And Play3:48
4Kill Boy Powerhead2:56
5Not The One2:48
6Self Esteem3:51
9Something To Believe In3:37
10Bad Habit2:59
11Gotta Get Away3:20
12It'll Be A Long Time3:49
13What Happened To You3:18
14Time To Relax3:25


CategoryArtistTitle (Format)LabelCategoryCountryYear
86432-2Offspring Smash ‎(CD, Album)Epitaph86432-2US1994
M-0361194, 86432-4, IJK-1056Offspring Smash ‎(Cass, Album)Metalizer, Epitaph, MetalizerM-0361194, 86432-4, IJK-1056Indonesia1994
2-3025Offspring Smash ‎(CD, Album)Epitaph2-3025Argentina1994
ES 3551Offspring Smash ‎(Cass, Album, Unofficial)Euro StarES 3551PolandUnknown
noneOffspring Smash ‎(Cass, Album, Unofficial)Not On Label (The Offspring)noneUnknown


  • Barcode: 0 28946 05106 1



Smash is the third studio album by American punk rock band The Offspring, released on April 8, 1994 by Epitaph Records. After touring in support of their previous album Ignition 1992, the band recorded their next album over two months at Track Record in North Hollywood, California. Smash was the band's final studio album to be produced by Thom Wilson, who had worked with them since their 1989 eponymous debut. The Offspring. FUGA Aggregation от лица компании Epitaph LatinAutor - SonyATV, BMI - Broadcast Music Inc. EMI Music Publishing, CMRRA, AMRA, LatinAutor, Audiam Publishing, Abramus Digital, Sony ATV - The Offspring. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Offspring - Smash 1994. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. An oral history of The Offspring's breakout album Smash, and how it took US punk into the mainstream. Then as now, Brett Gurewitz was the owner of Epitaph Records, the punk rock imprint to which The Offspring were signed. The release of Smash on April 8, 1994 saw the companys and not to mention the bands fortunes change in a radical manner. Previously, the Orange County quartet had shifted somewhere in the region of 30,000 copies of Ignition, their impressive second LP. 1994: Smash, their second album for Epitaph, is released. Featuring the mega-hits Come Out and Play Keep Em Separated, Self Esteem and Gotta Get Away, the album is a phenomenon. The disc sells more than 11 million copies worldwide, the most ever for a band on an indie label, after Come Out and Play becomes a gigantic MTV hit. The album peaks at 4 on the Billboard Top 200 albums chart. Source: . Smash Q&A. Producer Thom Wilson. Listen free to The Offspring Smash Time to Relax, Nitro Youth Energy and more. 14 tracks 46:37. Smash is the third studio album by American punk rock band The Offspring, released on April 8, 1994 through Epitaph Records. The album was the band's last collaboration with record producer Thom Wilson, who produced their previous two albums, and also their last release on Epitaph however, that label released their next album in Europe. Smash met high critical reception upon its release, and is now considered a classic punk rock album by fans, critics, and the band members themselves. To favorites 42 Download album. Listen album. The Offspring - Time To Relax Intro. The Offspring - Nitro Youth Energy. The Offspring - Bad Habit. The Offspring - Gotta Get Away. The Offspring - Genocide. The Offspring - Something To Believe In. The Offspring - Come Out And Play Keep 'Em Separated. The Offspring - Self Esteem. The Offspring - It'll Be A Long Time. The Offspring crossed over due to the raucous, Eastern-tinged single Come Out and Play, which stopped and started just like Nirvana, only without the Seattle trio's recklessness. The record stayed in the charts because the Offspring sounded relentlessly heavy, no matter how much the band claimed to be punk. Their tempos are slower than traditional hardcore, and their attack is as heavy as Metallica. But they acted like they were punk, with odes to no

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